Sicily Tasting, February 2012

Sicily

Sicily

As I mentioned in a recent post, I had the pleasure of attending a tasting of Wines of Sicily.  Wine production has a long history in Sicily, at least as far back as the 8th century BC, when Greeks colonized the island.  In more recent times, Sicily’s best known beverage has been Marsala, a fortified wine named for a city in the northwest of the island.  However, Sicily today produces a wide range of white, red and sparkling wine, as well as a variety of dessert wines and grappas.  The tasting consisted of three flights of four wines each, themed as whites, reds and dessert wines.  Here is the listing of the wines poured (with photos here):

  • Whites
    1. Sicilia IGP Cavallino Bianco Carlo Pellegrino 2010
    2. Sicilia IGT Inzolia Barbazzalle Bianco Cottanera 2009
    3. Sicilia IGT Carolina Marengo Feudi del Pisciotto 2007
    4. Etna DOC Pietramarina Bianco Superiore Benanti 2007
  • Reds
    1. Cerasuolo di Vittoria DOCG COS 2009
    2. Etna DOC Serra della Contessa Benati 2006
    3. Contea di Sclafani DOC Rosso del Conte Tasca D’Almerita 2004
    4. Sicilia IGT Duca Enrico Duca di Salaparuta 1996
  • Dessert
    1. Passito di Pantelleria DOC Coste di Mueggen Benanti 2005
    2. Malvasia di Salina DOC Capofaro Tasca d’Almerita 2007
    3. Marsala Superiore Secco Vito Curatolo Arini
    4. Marsala Vergine Riserva Vito Curatolo Arini

The hierarchy of quality/restrictiveness of classifications in this listing is Indicazione Geografica Tipica (IGT) / Indicazione Geografica Protetta (IGP) with the grapes being from a particular region (I’m pretty sure they’re the same, with IGP more typically used for non-wine products such as cheese), Denominazione di Origine Controllata (DOC) being a more restrictive set of rules for a particular region with a higher expectation of quality, and Denominazione di Origine Controllata e Garantita (DOCG) being the highest quality with the most stringent restrictions on production.  Sicily has a single DOCG (Cerasuolo) and 23 DOCs (including one covering the island as a whole).  Theoretically anyone on Sicily could produce Sicilia DOC wine, but the restrictions on yields and therefore on revenue make it a tradeoff relative to the higher premium producers might expect over just labeling their wines IGT/IGP.  DOC wines account for just a very small percentage of total wine production, with most of it being for dessert wines.

Sicily is a warm place, closer as a whole to North Africa than to Rome.  It has a number of factors that make it well suited to growing grapes.  The terrain itself is very hilly, allowing the planting of vineyards to optimally take advantage of the sunlight, warmth, and altitude. Also, being an island, the sea is never far, and the cooling influences of the breezes provide desirable diurnal temperature variation.  The soils of Sicily are generally described as poor, which combined with a low amount of rainfall, make for the challenging conditions under which vines can be expected to yield some of their best fruit.  The geography of the island is dominated by volcanoes, from the still active Mount Etna in the east to the now rolling hills in the west of long dormant siblings.

The traditional wine of Sicily is Marsala, a fortified wine in the tradition of Port and Sherry, with a similar history of being initially created from a local wine with spirit added to aid in transport by boat to England.  While at one time it was a hugely popular export, it has fallen to niche status and is most commonly found outside of Italy used in cooking.  Wine production in Sicily has undergone great changes over the past two decades and is in the midst of further still.  There has been a significant shift from gobelet and bush vines to wire training, which has allowed the introduction of mechanization and a lower cost structure.  Outside consultants have been used to good effect, and quality levels have risen considerably.

In addition, the use of indigenous Sicilian grapes has become a great selling point.  While international varieties have made some headway into Sicily, the climate is not nearly as well suited as it is for native varieties, which have become increasingly well known.  The most widely planted, the white grape Catarrato, is largely used to make grape extract, but others such as Inzolia and Grillo have been recently made into modern styled white wine.  Grecanico is another white grape grown locally, though it may in fact be Garganega by another name, so not strictly indigenous.

The best known of these trendy Sicilian grapes is Nero d’Avola. While it accounts for only 13% of total vineyards, it can produce high quality varietal wines with great barrel maturation and ageing potential, and can bring body, colour and longevity to a blend.  Such is its popularity that New World producers in California and Australia are cultivating it in warm climates.  Perricone, Nerello (Mascalese and Mantellato) and Frappato are also important local red grapes, though more typically found as components of a blend.

While this only scratches the surface of Sicily, I’ll go into more detail with some of the grapes and regions as I profile a few of the wines and producers from the tasting over the coming weeks.

 

Scott Winemaking Fiano 2011

Origin: , ,

Colour and type: ,
Varietal:

Scott Fiano 2011

Scott Fiano 2011

After a big Italian Sicilian* tasting, I’m back to Australia, but with an Italian varietal.  It’s the Scott Fiano 2011 of the Adelaide Hills.  This is very much a small world experience for me, in that this wine was brought to a party at our house this past weekend and while it sounded familiar, I didn’t really know the producer.  It turns out the Scott winery and cellar door are right around the corner from the winery in which I’ve worked a few vintages.  I will have to swing by next time I’m up that way.

I’ve featured wines from the Adelaide Hills three times – a Pinot Noir, a Chardonnay, and a Pinot Noir / Chardonnay sparkler.  While the region as a whole is considered cool and elevated by Australian standards, it’s not quite the Mosel, and people have been having success with many, many different varietals.  Pinot Grigio is especially popular there at the moment, with Scott in particular doing a sparkler, while others make both normal and late harvest versions of it in it’s less bubbly form.  Sauvignon Blanc has long been a favourite from the region, but if you turn over a few rocks, you can find producers making Dolcetto, Aglianico, Malbec, Sagrantino, Nebbiolo, Tannat, Grillo, and Vermentino.  I could probably get pretty close to a century just in the Adelaide Hills, but really where’s the fun in that?

Fiano is a strongly flavoured grape variety which is most widely grown in the south of Italy. Historically it is thought to possibly originated with Greek settlers, and that it was the grape vitis apiana used in the Roman wine Apianum produced in the vicinity of Avellino.  The root of apiana is the Latin for bees, which are strongly attracted to Fiano grapes in those vineyards.  More recently, Fiano di Avellino DOCG is the most famous made from Fiano, and “apianum” is often seen on bottles of the region.  It can be found in over a dozen other DOC regions, though more often than not as a contributing grape in a blend instead of as a varietal or the major component.  It’s not widely seen outside of Italy, with of course Australia being the exception.

Fiano is a thick skinned grape with small berries and typically low yields, and has therefore not always been the most popular among producers.  The wine it produces can smell of honey and pears when young, but is capable of ageing and the young fruit gives way to spicy and nutty characters with development.

I wish I had more information about Scott Winemaking, but I may be able to string together a few guesses based on the single page of information on the website.  Given the location, it’s a small producer, possibly a single winemaker named Sam.  He lists four wines including this one, with the others being a Shiraz Sangiovese blend, a classic sparkling wine blend of Pinot Noir, Pinot Meunier and Chardonnay, and a sparkling Pinot Grigio.  I hope to update this if I get to meet the producer.

This wine lives up to expectations as far at Fiano.  It’s certainly very modern in that it has the colour that the industry demands of a young white.  The nose is clean, with fresh pear, cinnamon, and a hint of honey.  I had some perry over the weekend and it came right back to me.  On the palate it’s very crisp with good acidity.  The flavours match what was promised on the nose, along with slightly spicier notes and a hint of nuttiness, though I did have a fair number of toasted pine nuts with dinner so they may be sticking on my palate.  I would have put this at around $25 retail and it appears that’s pretty spot on.  It’s a very good wine, quite right at that price, though frankly I’m willing to pay a premium for the rare or exotic which I think this is.  I know it’s not the only South Australian Fiano so I’m hoping that the others live up to the quality level set by this one.

*My favourite place in the world to drink martinis is Dukes Hotel in London.  Their bar is staffed exclusively by Italians, or so I thought.  I asked an older barman if everyone who worked there was Italian and he said “No, everyone else is Italian.  I am Sicilian.”  So there you have it.